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Scanners, light meters. . .the list of digital camera and photo accessories is endless. Explore the world of digital photo peripherals, and start building out your wish list.

D-SLRs For The Professional

2008 was a big year for D-SLRs, and there are now more choices than ever for pros seeking a primary or backup camera. Check out some of the key innovations and the latest models.

D-SLRs  For The ProfessionalWhen we last left the D-SLR Wars a year ago, high-resolution LCD monitors and Live View shooting were the hot items. Read More...

RED’y for takeoff

RED Digital Cinema is rumored to be releasing a hybrid digital motion-picture and still camera. Just don’t call it a D-SLR.

RED’y for takeoff    With the introduction of the Canon EOS 5D Mark II and the Nikon D90, the hottest trend in the D-SLR marketplace is video capture.Read More...

Hi-Tech Studio: A Camcorder Primer For Photojournalists

As camcorders continue to evolve, so does the opportunity for photojournalists to create high-definition video essays alongside their D-SLR work

Hi-Tech Studio: A Camcorder Primer For Photojournalists

Photojournalism is in a period of transition. While many photographers continue to image solely with still cameras, others are finding video to be a necessary supplement to their work. Video is being used to deliver news stories for blogs and websites, as well as for traditional broadcasts. Motion capture also is taking the form of individual video stills published in print and online. Here, we cover some of the new high-definition video cameras a photojournalist might find useful for getting into videography.

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Hi-Tech Studio: Professional Black-And-White Printers

Amid the many options for black-and-white printers, there are a few models that pick up where film left off, providing superior black-and-white prints reminiscent of the days in the darkroom

Hi-Tech Studio: Professional Black-And-White Printers

Black-and-white printing has been in a state of flux from the days of film to the early stages of digital inkjet printing. The problem with film was that color photos were the most difficult to reproduce in the darkroom due to the difficult silver-halide workflow. Today the paradigm has shifted, making black-and-white printing one of the most difficult areas to master in a now digital world.

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Hi-Tech Studio: High-End Rental Studios

When you don't own your own studio, a high-end rental studio is your solution

Hi-Tech Studio: High-End Rental Studios

The cost of owning your own studio, especially with the current real-estate woes, makes taking your job to a high-end studio one of the easiest choices to make when compared to the costs of owning and maintaining your own space. From big jobs to small jobs to elaborate setups, shooting at a high-end rental studio justifies the cost of renting when you incorporate all the benefits and money you'll save in the end.

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Hi-Tech Studio: Complete Color Calibration

Color management from reality to reproduction

Hi-Tech Studio: Complete Color Calibration

Plato said that art is thrice removed from reality. Although the philosopher wasn't a photographer, he hit the nail right on the head where digital imaging is concerned. If we follow what happens to the color of an object during the photographic process—from capture through output—we see several junctures where the colors are likely to be changed unintentionally, and we can gain a better understanding of why it's important to use calibrated devices.

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DPP Solutions: Color Calibration

If you're using a professional-caliber LCD monitor, professional-caliber color calibration is a requirement

DPP Solutions: Color Calibration

What color is blue? Why is the blue that I see in the sky not the same as the blue that appears on my expensive LCD monitor, and not even close to the blue that rolls out of my inkjet printer? What do I have to do to print the colors that I see?

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Large-Format Scanning

Discover the alternatives for producing your own scans in-house

Large-Format Scanning

If you shoot or have an extensive archive of large-format negatives or transparencies, the process of converting them into digital files can be costly. When done at a service bureau, each drum scan can run from $30 to $400. Depending on the number of scans you need, this can become prohibitively expensive, which is why many photographers consider the use of scanners to produce digital files in-house.

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The Right Tool For The Job

Graphics tablets offer superior control for precise image adjustments

The Right Tool For The Job

Always choose the right tool for the job—you know that. You wouldn't use a beach towel to clean your lenses, for example, so why would you choose a mouse to do the work of a stylus? Using a mouse often is too clumsy for the precise work of creating selections or spotting filters and effects.

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