Photo Printers

Buying a professional quality photo printer is a wise investment. Your clients will appreciate how the crisp details of your prints. Rely on our photo printer reviews to help you choose the right tool for the job.

Tuesday, October 5, 2010 Pro-Level Output The current lineup of professional-quality 17- and 24-inch printers delivers gallery-ready images Like all the professionals we know, you’re looking for ways to bring in some revenue and keep the studio going as strong as you can in these extremely challenging times.  Read More...

Tuesday, April 20, 2010 Paper For Your Works Of Art There’s more to paper choices than Canon, Epson and Hewlett-Packard. An array of other manufacturers make high-end materials that can match your style. The ultimate expression of a perfect photograph remains a fine print of it.  Read More...

Tuesday, November 24, 2009 Hi-Tech Studio: Print In-House New printer technology makes this the right time to think about an upgrade It’s easy in this all-digital world to go much too long without printing your work.  Read More...

Tuesday, April 28, 2009 Black-&-White Printing Redefined Now is the time to upgrade your printer. The latest models can output prints that exhibit less metamerism, smoother tonal gradations and Black-and-white imagery is more popular than ever. We’re seeing an increase every month in the demand for quality monochrome inkjet prints, especially for portrait/fashion work and landscape images. High-quality monochromatic images from inkjet printers haven’t been without their issues though, with complaints of unwanted colorcasts and bronzing being common.  Read More...

Monday, September 29, 2008 Go Large With High-Tech Printers Modern large-format printers are cost-effective and give you the opportunity to make exhibition-quality prints right in your studio Many photographers are looking to control the entire process, from capture to output, these days for a number of reasons, including quality, price and turnaround for clients. While most studios have at least a 13x19 printer in-house, larger work is often sent out to a lab or service. Large-format printers have had the reputation of being expensive and demanding to operate, and it’s just one more thing to pull you away from the camera.  Read More...

Monday, April 28, 2008 Hi-Tech Studio: Professional Black-And-White Printers Amid the many options for black-and-white printers, there are a few models that pick up where film left off, providing superior black-and-white prints reminiscent of the days in the darkroom Black-and-white printing has been in a state of flux from the days of film to the early stages of digital inkjet printing. The problem with film was that color photos were the most difficult to reproduce in the darkroom due to the difficult silver-halide workflow. Today the paradigm has shifted, making black-and-white printing one of the most difficult areas to master in a now digital world.   Read More...

Monday, January 7, 2008 DPP Solutions: Printer Drivers Get the highest-quality prints even when your printer's drivers won't cut it Professional printers are getting even better, giving us amazing picture quality with exceptional printer drivers. Usually printing with the manufacturer's media guarantees the best print with its printer drivers, but when using a third-party paper or any other sort of substrate medium, it becomes harder to get the best and most predictable results. For those of us who want the highest-quality photos and the most control over our output, there are reliable options that ensure what we have on the screen will be yielded when we queue our print jobs.   Read More...

Thursday, August 16, 2007 Red On The Set When Epson wanted to photograph one of the world's rarest automobiles to test a new printer, they went to Stage 3 Productions in Detroit, where the staff knows how to generate maximum resolution The next best thing to driving a $1.3-million Enzo Ferrari is photographing one. Epson America challenged us to photograph the legendary car in our studio at Stage 3 Productions and create the most detailed digital files possible. Dan Steinhardt at Epson specifically asked for a final file that was unflattened, 16-bit, Pro Photo RGB-captured to the highest resolution possible. Using a Sinarback 54HR, P2, the final size after retouching would be in the gigabytes.   Read More...

Tuesday, June 19, 2007 The Paper Chase - Selecting The Best Paper One of the least considered, yet most used materials in the photographer's arsenal, a paper's fundamental construction can have a profound impact on how images print For most photographers, the ultimate goal is a print. When inkjet printing hit photo quality, the choices were very limited. Every manufacturer went to great pains to supply papers that mimicked traditional darkroom papers in an effort to lend a more legitimate feel to digital printing. Photographers didn't take long to try alternative media, though, looking for that perfect surface and finish that would bring out the best in their images.   Read More...

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