DPP Home Past Issues March/April 2011
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March/April 2011




Gear

  • DPP Solutions: Perfect Prints

    Fine-art master John Paul Caponigro’s essential tips for print-making

    There’s no mystery to what it takes to make great prints. There are many things to consider before making them and many steps to take while making them.
  • March/April 2011

    New Tools Of The Trade

  • Misinformation: Camera Tech

    Clicking the shutter at the right time is what matters the most

    There are situations when it’s acceptable, and perhaps even encouraged, for pros to shoot on auto.
  • The Location Shoot

    Sophisticated light-shaping tools give you complete control over the image while using portable strobes and speedlights

    A key goal in lighting is shaping that light so we can make an effective visual statement or help define the subject, or both.
  • The Truth About Digital ISO

    Digital Photo Pro sorts through the confusion and misinformation to get to the heart of digital ISO

    Recent advancements in DSLR ISO capabilities have brought the topic back to the forefront of our collective photographic conscience.

Profiles

  • Jake Chessum: Keeping It Light

    Jake Chessum photographs celebrities and global power brokers with unexpected twists to their very public personas

    The key to British-born, New York-based Jake Chessum’s photographic success is his people skills.
  • Martin Wonnacott: Cake Factory

    Photographer Martin Wonnacott set out to build a kinder, gentler agency—and he has succeeded

    This magazine is about pictures and photographers, not photo reps and the agencies they work for. Still, every so often it's good to check in with a rep and discuss the business side of the photo business.
  • Mike Powell: Grace, Beauty…Action!

    Mike Powell’s sports photography goes far beyond the usual moment in time

    An early passion for sports photography led Mike Powell to travel the globe, photographing every major event on the sporting calendar for 25 years.
  • Take A Bite

    Adding food photography to your repertoire can boost your marketability. Lou Manna literally wrote the book on how to do it.

    In this excerpt from the book, you can get helpful tips on some of the most important aspects of this specialized class of image-making.

Technique

  • Using Lens Profiles

    Correct a variety of distortions with Adobe’s extensive database of lens information

Business

  • Hi-Tech Studio: DSLR Rigs For Video

    A variety of gear is available for giving HD-capable DSLRs filmmaking possibilities

    While filmmakers and videographers have enthusiastically embraced HD-capable DSLRs for their relatively economic pricing and superb video capabilities, for video, the form factor of modern DSLRs leaves something to be desired.
  • It's Not A Winning Ticket

    Someone used my picture without permission! What do I win?

    Over the last three years, I’ve been involved in the copyright infringement case Latimer v. Roaring Toyz, et al.
  • Vision to Visuals: Building An Aesthetic

    As part of a project for the Greenmarket Tavern in New York, photographer Larry Letters created a collection of images to tell the story of wine

    There’s nothing like an economic downturn to spark the creative wheels of entrepreneurs in a city like New York.
 

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