For professionals, there are times when the modern D-SLR isn’t the camera that will get the job done
by Mike Stensvold And David Willis
While the lion’s share of professional photography is made with conventional, 35mm-type D-SLRs, there are still plenty of situations when a different kind of camera is called for.
Joe McNally is one of the greatest at location lighting. Known for traveling with a minimal kit, he pulls off shots that are masterpieces of technique and artistry.
Joe McNally, Photography By Joe McNally
In his new book, The Hot Shoe Diaries: Big Light from Small Flashes (New Riders Press, 2009), Joe McNally gives a series of examples and then describes how he got the shot.
Frans Lanting’s Albatross project provides not only an amazing record of a flying legend, but also a guide for photographers interested in pursuing their own life’s work
William Sawalich, Photography By Frans Lanting
Setting out on a lifelong photographic project is a daunting task no matter what you’re going to shoot. That’s why Frans Lanting didn’t set out on a lifelong project.
An exhibition aims to help viewers see the world differently
by Baldev Duggal
When an artist decides to confront complex social issues and express them publicly using a visual platform, we can’t help but be pushed out of our comfort zones and face the troubling aspects of our society, which we inadvertently shelve away from our lives.
As photographers morph into the world of motion-picture video, presenting a client with a brief but complete description of the project, whether still photography, video or both can mean the difference between getting the gig or missing out
by Louis Lesko
There’s nothing more embarrassing than moving up the career ladder and sitting in a room with your new peers, not understanding a single thing that they’re saying to you.