Martin Wonnacott: Cake Factory

Photographer Martin Wonnacott set out to build a kinder, gentler agency—and he has succeeded

By William Sawalich, Photography By Martin Wonnacott, Chris Bailey, Bob Martin And Darran Rees

This Article Features Photo Zoom

Martin Wonnacott is a successful commercial photographer in a tough economy. After facing opposition from the very people who were supposed to be making it their job to help him, Wonnacott decided to go it alone as both talent and representation by putting together his own agency, Cake-Factory. Designed to represent his work and the niche portfolios of a core group of talented photographers, Cake-Factory has allowed Wonnacott to make his own choices rather than acquiescing to the needs of a third party, and by keeping his agency lean, mean and familial, it also lets him make more equitable payouts. Cake-Factory is another example of photographers making adjustments to keep them moving forward and profitable in a time of transition.

This magazine is about pictures and photographers, not photo reps and the agencies they work for. Still, every so often it's good to check in with a rep and discuss the business side of the photo business. To that end, what follows is an interview with a world-class agency owner who, not coincidentally, is also a world-class photographer.

You may remember Martin Wonnacott from DPP's December 2009 issue in which we showcased his phenomenal beverage photography. His approach to product shooting is to keep it simple with unparalleled attention to detail. That's also Wonnacott's recipe for an ideal artist's representative, and a major reason why he decided to create his own agency in the first place.

Things were going quite well for Wonnacott early in the new millennium. His London rep was getting him work, though the relationship wasn't as symbiotic as the photographer believed it could be.

"I had several meetings with my agent discussing my direction with drinks photography," Wonnacott says. "He didn't get it. He told me, ‘There's no work in drinks,' at which point, I thought, ‘Why am I with this agent?'"

The photographer met with a couple of other agents and was equally uninspired. So he asked a few photographer friends—all of whom already referred work to one another—if they would be interested in being represented by a new agency funded entirely by Wonnacott. They liked the idea, and he got the ball rolling. It was easy to present a unified front to art buyers, as the three photographers represented by this new agency, known as Cake-Factory, each offered a unique specialty. The photographer's agency was up and running.

Not long after, Wonnacott found himself working more and more with New York ad clients. It was time for the Londoner to get himself an agent in the States, as his startup company surely didn't have a global reach. He chose a New York rep who worked for a fairly small agency, representing 10 photographers, and courted him aggressively.

"He took quite a bit of convincing," Wonnacott says. "I flew over twice purely to buy him coffee in Starbucks. I knew that when trying to establish oneself in another country, it should appear to be no problem at all to meet, even briefly and randomly. This gave the perception that it's no big deal, therefore, why wouldn't he want to take me on?"

Finally, this agent agreed to represent Wonnacott, though they kept it off the books for a while to see if anyone liked his work. Indeed, they did.

Page 1 of 4

12 3 4

top

Name:
Address:

City:
State:	Zip:
Email:

International residents, click here