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Tuesday, August 20, 2013

Tyler Stableford: It’s In your Nature

Landing the assignment of a lifetime required master still photographer Tyler Stableford to master the medium of motion


This Article Features Photo Zoom
As a photographer who has migrated into filmmaking, Tyler Stableford is bringing a number of talents to bear. Above: For the Cabela's "It's In Your Nature" project, Stableford stepped into the director's chair, where his visual sensibilities merged with his ability to tell a story in moving images. By using RED EPIC cameras as the primary tools and Canon DSLRs and Cinema EOS cameras secondarily, the resulting imagery is stunning. He took advantage of the ability to shoot at the edges of the day around dawn and dusk as well as night scenes to give the project its overall look.


Change is afoot in commercial photography. Depending on how one chooses to see it, the convergence of stills and video is either a new opportunity or a sign of the coming apocalypse. Photographer Tyler Stableford has chosen to embrace the change. It's energizing his creativity and reinventing his business.

intersection of profitability and creativity. From a business perspective, if you can hold onto that, you're not a victim of change; you're an agent of change."

Stableford couldn't be happier with his recent debut on the national television advertising stage. He directed Cabela's new "brand anthem," a soulful short film meant to visually embody the outfitter's "It's In Your Nature" slogan. Although he had been shooting for the company for almost a decade, landing the assignment wasn't easy. First, he had to teach himself a new way of visual storytelling and then put those skills on display in a way that high-end clients couldn't ignore. For that, he sought pro bono work and personal projects that would allow him to master the medium while doing some good for the world.

"Like many shooters," Stableford says, "the advent of the 5D Mark II DSLR changed the course of my career. I thought, 'Great, I have a camera now that can work with all my equipment, it's full frame, and you can shoot it at ƒ/1.2 and it looks gorgeous…this is a real breakthrough.' I shot my first video project, a volunteer project in Ethiopia, literally the week the camera came out. It was for a wonderful humanitarian aid agency that works around the world for child welfare—building schools, clean water projects, health clinics. I was committed to this organization. So I said, 'I want to tell this story for you guys. I'm guessing I'll make a lot of mistakes along the way, but at least I'm not being paid.' Last I checked, it had helped to raise over $300,000 for the organization."

A year on, though, Stableford still didn't believe his newfound skills were enough to land him the high-end assignments he wanted. So he made another self-funded project.

 

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