Xi Sinsong On Postproduction And Beauty Retouching
|Xi Sinsong acknowledges that digital retouching plays a significant part in her photographic process, but she doesn't want her photographs to look like it.
"If it looks overly retouched, then it's just bad retouching," she says. "I try to do as much in-camera as I can because without a basic good foundation, you can't really lift people up that much."
When the shooting is complete, she begins with a round of color and exposure corrections to the raw image files. Then she chooses images that form a cohesive story—a process that could take a few hours or several days.
Sinsong treats skin simply as a textural surface in need of refinement.
"If the model has fairly good skin," she says, "and the makeup and lighting are right, it usually won't need as much retouching as one might imagine.
For beauty images, I like to use soft, natural lights to create a luminous look. Contrasty light sources and dark shadows can emphasize any flaws on skin, especially compared to what you see in person.
"That said," she continues, "retouching really varies depending on the image. There are many steps involved, but if one is familiar with the structure of human anatomy, especially the face, and familiar with directions of lights and shadows they will cast on good skin and symmetrical features, what's left to be done is basically aim the raw image toward the ideal—for example, removing shadows on the sides of the nose and mouth, as they tend to make people appear older. I also remove excessive shine on highlighted spots, especially if the model has a darker complexion. Adding or emphasizing shadows in strategic areas, such as below the cheekbones, helps a great deal, too. Another aspect that I find really important is to even out the skin tone, as some complexions have different hues in different areas, which I find rather distracting."
You can see more of Xi Sinsong's work at www.sinsong.com.
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