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Whether on assignment for National Geographic or managing his massive stock archives, Frans Lanting’s studio is constantly adapting to handle extreme challenges in digital-asset management
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By William Sawalich, Photography by Frans Lanting
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 Getting precious digital image files from capture to output is tricky
under the best circumstances. Just imagine how difficult it gets when
you’re on location for National Geographic in the most remote corners
of the world for weeks on end and you’re bringing back 10,000 images at
a time. That’s exactly the situation faced by Frans Lanting and his
staff.
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Addressing the key concerns of rights and licenses for image usage, an organization has proposed a revolutionary solution all pros should know
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By Jim Goldstein
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 Digital photography has fueled a revolution in online media
consumption. As Internet use has evolved, online users have become
increasingly dependent on photography. The expansive use of online
imagery has rapidly changed the expectations of both image viewers and
publishers. With the tremendous number of photographs making their way
online, photographers need to have a firm understanding of the risks
and rewards of publishing images on the web. To protect against the
risk of copyright infringement, photographers have copyright law on
which to rely, but is this protective legislation compatible with the
fast pace of the online world?
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A look behind the turbulence and uncertainties of today’s stock photography marketplace to help you find the best way to make a profit
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By Harlon Mitchell
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 The potential market for stock image sales is estimated at $2 billion a
year. On every continent, there are photo buyers who need images and
search for them online every day. The only question is how do you get
their eyeballs on your images and get the wheels of commerce turning?
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Amid the many options for black-and-white printers, there are a few models that pick up where film left off, providing superior black-and-white prints reminiscent of the days in the darkroom
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By Adam Crawford
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 Black-and-white printing has been in a state of flux from the days of
film to the early stages of digital inkjet printing. The problem with
film was that color photos were the most difficult to reproduce in the
darkroom due to the difficult silver-halide workflow. Today the
paradigm has shifted, making black-and-white printing one of the most
difficult areas to master in a now digital world.
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Pursuing a solid licensing strategy for now and the future will enable you to weather the storms of today’s photo business reality
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By Louis Lesko
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 The landscape of the photography industry is changing rapidly. With
fees for our services and other business issues, our work is becoming
more akin to a commodities market. Effectively making money in a world
that’s offering more and more different venues for photography requires
a new way to look at our business. The effective management of usage
rights is paramount to making a great living as technology growth and
innovation spur radical changes in the uses of our images.
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