Photo pros rely on our magazine to cover the most advanced digital photography techniques in-depth. From color calibration to file formats and everything in between, you can count on the technique advice from our digital photo experts.
Tuesday, November 2, 2010The Art Of EliminationCrop or retouch |
Tuesday, October 5, 2010Noise–Lose ItDark slides for hot pixels |
Tuesday, August 24, 2010Master Your Image LibraryWorking on location, travel and generally being mobile require you to rethink how you can best manage your image library for maximum access |
Tuesday, August 24, 2010The End Of Film Capture, The Future Of Film ArchivesFrans Lanting had a large archive of film images when he made the transition to digital capture. The National Geographic photographer describes how he made that transition and how his film images continue to play a major role in his studio. |
Tuesday, August 10, 2010Reduce Noise With Multiple ShotsUse Photoshop Layer Stacks to clean up an image |
Tuesday, June 22, 2010Wet-Plate Digital?In a world of megapixels, bit depths and color spaces, Jody Dole is making art by mixing current photo technology with the state of the art from 1860 |
Tuesday, June 8, 2010Lose Noise With Plug-InsCaponigro explains why and how he uses Noiseware |
Tuesday, June 8, 2010Hybridized!A photographer who can deliver a still shoot and a video shoot simultaneously is a photographer who’s in demand and commanding a high fee. Michael Grecco is doing it and putting HD DSLR technology to the test as he works his multifaceted magic. |
Tuesday, April 20, 2010Digital Manipulation And The Flair Of SubtletyAs digital photography struggles for legitimacy in the fine-art world, we examine the role of image manipulation to evoke an emotional response from your audience |
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Contender: Nicholas Mele
It can happen in an instant -
Contender: Cindy McDaniel
Going underwater for an unpredictable look -
Contender: Martin Christopher
“Angel Face” was photographed for a local hair salon’s ad campaign -
Contender: Bruce Roscoe
Meticulous attention to the lighting creates strong chiaroscuro and a dramatic effect -
Contender: Kevin Ziechmann
Reality and photography collide in this self-portrait -
Contender: David Miller
Rendering a split look in a “Frankenstein” photo -
Contender: Jeff Nadler
Black and white film and natural light gave this image its distinctive look -
Contender: Jessica Christie
Capturing emotions and creating a retro look -
Contender: Laura Bello
A little bling and vibrant color demand a viewer’s attention -
Contender: Dhrumil S. Desai
Style and substance came into play in making this warm-toned black and white portrait

Technique






