For a recent photo assignment, Jim Cornfield chose to create an environmental portrait of Air Force Capt. Kenneth Curry, telling a story in images by connecting the pilot to his former military experience. The environmental portrait is one of photography’s simpler ideas: An image of a subject that includes his or her external life—some place Read more…
Text & Photography By Jim Cornfield
For a recent photo assignment, Jim Cornfield chose to create an environmental portrait of Air Force Capt. Kenneth Curry, telling a story in images by connecting the pilot to his former military experience.
The environmental portrait is one of photography’s simpler ideas: An image of a subject that includes his or her external life—some place or...
The left half of this frame shows the original photo, as taken by my camera. I had a 6-stop ND filter applied, which not only allowed me to get this long exposure, it also applied a visible blue tint. The right half is the exact same photo except I applied a custom white balance that Read more…
Text & Photography By Brian Matiash
The left half of this frame shows the original photo, as taken by my camera. I had a 6-stop ND filter applied, which not only allowed me to get this long exposure, it also applied a visible blue tint. The right half is the exact same photo except I applied a custom white balance that targeted the gray part of the rushing water. The improvement is quite...
Using shapes, lines, colors, tones and lighting to create visually interesting and painterly photos of the city
Scene from a typical spring night in NYC. When considering geometries, note that the architect’s vision of the building is ignored because I’m instead concerned with the visual activity around it.
In this photo taken during the Sony a9 launch of 30 photographers crowded around the long jump at The Armory, notice what David J. Schloss is doing—he’s...
Using speedlights to tell a more compelling visual story
Text & Photography By Tom Bol
Moai Statue At Sunset. Nikon D3, 24-70mm ƒ/2.8 lens, shot at 1/50 sec. at ƒ/8, Nikon SB-800 used off-camera to light the statue.
I have traveled 4,625 miles to get this image. I’m stumbling through the volcanic landscape in the murky predawn darkness trying to find the Moai statues. The salty breeze and crashing surf remind me of early-morning shoots...
Just as this issue was going to press, Pokémon GO swept the country. Overnight it seemed like everyone was looking face-down at their phones, flicking pretend balls at pretend creatures. Thanks to the intelligent use of a smartphone’s camera, developer Niantic is able to superimpose the various wild Pokémon in a video stream of the real world, a...
A light meter is one of the most important tools in a photographers' arsenal, and you probably don't own one.
Photography is about capturing light, which is why it’s confusing that many photographers don’t own a light meter. After all, if we’re trying to capture light accurately and/or creatively, then we need to know how much light there is and where it’s coming from.
In this conversation at the Seikonic booth at the 2016 Photokina...
The latest iteration of DxO’s RAW Raw converter and image processing software, OpticsPro 11, offers a couple of new features that really piqued our interest.
DxO is best known for DxOMark.com, a website that publishes a vast database of quantitative measurements for thousands of lenses and cameras. That information is not gathered for consumer information but to power its image-editing software. The DxO suite of tools uses the analysis of the imaging characteristics of camera equipment to correct any inherent...
Improvements in wireless flash give photographers an astounding amount of creative freedom
The year 2003 rocked my world as a photographer. It wasn’t the year I purchased my first digital camera. This was the year Nikon introduced the SB-800, which was the first flash I could trigger off-camera using my D70’s popup flash. Using Nikon’s i-TTL technology, flash exposure was calculated using TTL (through-the-lens) metering just like a...
How to bring studio-style lighting to the outdoors
Text & Photography By William Sawalich
A strobe-illuminated subject really pops off of an underexposed ambient background. In this case, a cloudy day and tall tree coverage helped bring the ambient down naturally, making it easier to overpower the daylight with a portable strobe.
Just because you’re working outdoors doesn’t mean you can’t take studio-style lighting control with you....
Take your portraiture down Memory Lane with some easy and versatile after-capture techniques
Text and Photographs By Jim Cornfield
Oliver “Pork Chop” Anderson was an impromptu tap dancer on New Orleans street corners for many years. I photographed him on Polaroid 55 P/N film for a gallery exhibit themed around characters in the picturesque French Quarter during Mardi Gras. To connect Pork Chop to his folksy style of entertainment and also to the historic neighborhood where...
For the most control, try specialized plug-ins like Nik Silver Efex Pro 2
By Theano Nikitas
Black-and-white photography never goes out of style. It’s the core of imaging and what many of us remember fondly starting with the first roll of TRI-X we processed and printed in the darkroom. As digital took over, there were few monochrome options other than, perhaps, desaturating images in software applications, which usually resulted in dull,...