Advanced Camera Technique
Trust our professional tips for using a digital camera to take your images to the next level. Our advanced digital camera techniques cover a wide range of topics to help you get the most out of your setup.
Tuesday, April 20, 2010Digital Manipulation And The Flair Of SubtletyAs digital photography struggles for legitimacy in the fine-art world, we examine the role of image manipulation to evoke an emotional response from your audience |
Tuesday, April 6, 2010Still MotionAndrew Kornylak embraces the multimedia possibilities of modern digital cameras |
Tuesday, December 15, 2009The Digital Decisive MomentWe’re entering an era of new possibilities, where low-noise and high-ISO digital capture is defining new aesthetics. And it’s not just about low-light shooting. |
Tuesday, July 28, 2009Dialing In Skin ToneA wedding professional has some sage advice and techniques for mastering elusive skin tones |
Tuesday, December 23, 2008Light LessonsA master of technique walks us through a series of situations and explains how to craft illumination |
Tuesday, November 11, 2008A Milestone In TimeFull HD video comes to digital SLRs |
Tuesday, June 24, 2008Vision To Visuals: Back To SchoolHelping a learning institution define itselfDr. Ben M. Corpus, Vice President for Student Development and Enrollment Management and Dean of Students of Baruch College, approached Duggal Visual Solutions recently with a fundamental request. The goal was to “communicate the standards of academic excellence and professionalism” that define Baruch College in a public forum. Read More... |
Monday, October 8, 2007Exposing For RAWThere are special considerations to take into account if you're shooting RAW and you want to be sure that you're getting a proper exposureYou wouldn't think changing image capture from film to digital photography would require a new way to think about exposure, but it may, depending on how you use your digital camera. This is because a digital camera sensor behaves quite differently from how film and our human visual system respond to light intensity. |
Thursday, August 16, 2007Red On The SetWhen Epson wanted to photograph one of the world's rarest automobiles to test a new printer, they went to Stage 3 Productions in Detroit, where the staff knows how to generate maximum resolutionThe next best thing to driving a $1.3-million Enzo Ferrari is photographing one. Epson America challenged us to photograph the legendary car in our studio at Stage 3 Productions and create the most detailed digital files possible. Dan Steinhardt at Epson specifically asked for a final file that was unflattened, 16-bit, Pro Photo RGB-captured to the highest resolution possible. Using a Sinarback 54HR, P2, the final size after retouching would be in the gigabytes. Read More... |
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Contender: Alexander Hankoff
Seizure -
Contender: Sam Li
Samli Youth







