Using shapes, lines, colors, tones and lighting to create visually interesting and painterly photos of the city
Scene from a typical spring night in NYC. When considering geometries, note that the architect’s vision of the building is ignored because I’m instead concerned with the visual activity around it.
In this photo taken during the Sony a9 launch of 30 photographers crowded around the long jump at The Armory, notice what David J. Schloss is doing—he’s...
Using speedlights to tell a more compelling visual story
Text & Photography By Tom Bol
Moai Statue At Sunset. Nikon D3, 24-70mm ƒ/2.8 lens, shot at 1/50 sec. at ƒ/8, Nikon SB-800 used off-camera to light the statue.
I have traveled 4,625 miles to get this image. I’m stumbling through the volcanic landscape in the murky predawn darkness trying to find the Moai statues. The salty breeze and crashing surf remind me of early-morning shoots...
Improvements in wireless flash give photographers an astounding amount of creative freedom
The year 2003 rocked my world as a photographer. It wasn’t the year I purchased my first digital camera. This was the year Nikon introduced the SB-800, which was the first flash I could trigger off-camera using my D70’s popup flash. Using Nikon’s i-TTL technology, flash exposure was calculated using TTL (through-the-lens) metering just like a...
How to bring studio-style lighting to the outdoors
Text & Photography By William Sawalich
A strobe-illuminated subject really pops off of an underexposed ambient background. In this case, a cloudy day and tall tree coverage helped bring the ambient down naturally, making it easier to overpower the daylight with a portable strobe.
Just because you’re working outdoors doesn’t mean you can’t take studio-style lighting control with you....
Oregonian staffer Thomas Boyd knows that gaining access is key—and the veteran photographer knows how to get it and what gear to use once he has it
Text & Photography By Thomas Boyd
All of the great people photographers have the unique ability of gaining extraordinary access to events and people’s lives. This is doubly true of the best photojournalists, but it goes for everyone, from a portrait photographer to a wedding shooter. It’s this access that sets their images apart.
There are two different kinds of access, of course....
The future of drones for professionals is becoming clearer
By The Editors
In February, the FAA issued the much anticipated proposed rules for drones titled "The Overview of Small UAS Notice of Proposed Rulemaking." Prior to the notice, there was a lot of speculation and more than a little apprehension about how the U.S. would handle drone usage. Short of plain outlawing unmanned aircraft in U.S. airspace, the biggest...
For Corey Rich, video-ready DSLRs offered more than just a new business opportunity. They made a lifelong dream come true.
By William Sawalich, Photography By Corey Rich
Corey Rich became a professional photographer at an early age. At 16, he got his first job shooting real estate pictures for the local paper. He hadn’t yet mastered all the technical aspects of photography, but he says he’s always known a great picture when he sees one.
"I never intended to be a business owner," Rich says. "I...
A look at the various tools you can use to create bokeh
By The Editors
Until about 10 years ago, the term bokeh was almost unknown. Coined from the Japanese word for blur, photographers began using the term in the late 1990s, but it wasn’t until the mid-aughts that it really took hold. The effect itself has been around as long as photography—shallow depth of field—but as any marketing expert will tell you, it...
Take complete control of the nuances and subtle exposure elements within your image files
By George Jardine
At the beginning of every class or workshop, I always ask the question, "How many of you feel that you completely understand—and are comfortable with—basic RAW concepts and the controls for RAW processing?" In response, I’ll sometimes get one or two volunteers, but more often than not, no one is willing to stick their neck out. And...
Douglas Dubler created a historical and artistic project that was ideally suited to the unique qualities of the legendary Polaroid 20×24 camera
By Richard A. Hood, Photography By Douglas Dubler
Imagine a modern professional photographer involved in a photo project allowing only 25 exposures in an entire day—with film so rare, there’s no room for tests, mistakes or retries. This is the story of a meeting between a great photographer and a historic camera.
Among the world’s foremost beauty and fashion photographers, Douglas...
We talk to a range of top professionals about how they create some of their signature looks
Photography By Conan Thai, Martin Wonnacott, Ethan Pines, Joanna Kustra & Seth Olenick
Whether you’re creating a beauty shot, crafting an environmental portrait or setting up a still life, one single photography truth will always remain: Light matters. What separates professional photographers from the crowd is the ability to shape light into a previsualized design appropriate for the subject and client. But when faced with every...