Over The Edge

As he plunges headfirst into the unknown, Lucas Gilman describes how to be a multimedia pro
By William Sawalich, Photography By Lucas Gilman
Lucas Gilman is a photographer and filmmaker who creates breathtaking adventure-sports imagery for clients like Sports Illustrated, Red Bull, Patagonia, Gore-Tex® and Nikon. He shoots everything from surfing to snow skiing, ice climbing to extreme kayaking, and he does it simply: by choosing high-quality tools, planning carefully, and putting the…

Autofocus Evolution

Radical advancements in AF technology are blowing away old assumptions about phase- and contrast-detection systems
By David Schloss
Since the advent of digital photography, there have been aspects of a camera's operation that are shrouded in mystery and confusion. That's because many of the technologies involved in digital photography are rooted more deeply in optical physics and computational algorithms than in shutter speeds and lens openings. Most recently,…

Past & Presence

Douglas Dubler created a historical and artistic project that was ideally suited to the unique qualities of the legendary Polaroid 20x24 camera
By Richard A. Hood, Photography By Douglas Dubler
Imagine a modern professional photographer involved in a photo project allowing only 25 exposures in an entire day—with film so rare, there's no room for tests, mistakes or retries. This is the story of a meeting between a great photographer and a historic camera. Among the world's foremost beauty and…

The Hero Image

The evolution of a shoot with Corey Rich
By David Willis, Photography By Corey Rich
Illustrating the dramatic impact that even a subtle change can bring to a photograph, commercial lifestyle photographer Corey Rich spent a day working out with cross-trainer Del Lafountain to capture a series of high-impact shots of the towering athlete as he muscled through several hundred kettlebell repetitions. Ultimately, despite an…

Mothership & Scout

How to work with photos on location and seamlessly integrate them back into your studio’s system working with Apple Aperture
By David Schloss
As the plane clears 10,000 feet, I open up my MacBook Air and launch Aperture 3. We bank to the north and I look out the window at the lights over Las Vegas. Just a few hours earlier, I was finishing off the last day of a multiday bicycling event…

Tone Curves

This often misunderstood control is as much about brightness as contrast
Text And Photography By George Jardine
I recently read one popular author's introduction to his chapter on the Lightroom Tone Curve, and he started out by saying that with the improvements in the 2012 Process Version, the Tone Curve was basically outdated. Nothing could be further from the truth. It's true the Lightroom 4/ACR 7 update…
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