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- Re: Friends Of Mine
Posted on Monday 20 May, 2013 by Roberto Maiorano.
My origin are from South of Italy exactly ... - Re: Masai Child (kenya)
Posted on Sunday 12 May, 2013 by Grace Carter.
Simple but beautiful. Great captures! - Re: Ohana
Posted on Saturday 11 May, 2013 by Hope Buckley.
so beautiful - Re: Jeff Sochko
Posted on Saturday 11 May, 2013 by Hope Buckley.
Beautiful I love it...... Hope - Re: Pull Up!!!
Posted on Saturday 27 April, 2013 by Steve Grenot.
This is a nice capture Sonya Good job.
Adriana Ricciardi
Photo By Adriana Ricciardi
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Photographer: Adriana Ricciardi
Photo Details
- GALLERY IMAGE STUDIO LABEL Adriana Ricciardi
- State/Province/Region:
- Country: Brazil
- Nearest Area: adriana.artdealers.com; www.adrianaricciardi.com
- Nearest Town: São Paulo
- Gear: Adriana Ricciard
- Description: Tracing the Surface Surfaces of inscriptions, of shallows depths, of ephemerals imprints. Matter as cumulative layers of surfaces. Inscriptions placed on surfaces over and over, trying to find in it´s exposure it´s meaning in the process of becoming visible`. The lost opacity of construction, where materials is reduced to nothing and the anamorphosed image´begins to drift, to float in an eletronic ether devoid of spatial limits yet inscribed in the singular temporality.`1 A performative gesture, an envelope. A process of designing through digital medium. ´I do not translate. I repeat processes again and again. Continually re-working is a process in fact of listening, re-iteranting. Repetition comes to be not just a repeating as the word says but also a kind of a mediation on a particular condition.`2 Layers of memory and narratives, not linear, but cumulative. Coding the performative with endless objectives. In accepting the chance event, open sequences find their ways out of a proposition. The unexpected occurs, like in nature. A digital process gets closer to the biological, live organisms, without predictability. ´Tracing the Surface` captions these moments of the unexpected event and it´s inner possibilities, to find in between states, a process of production. The photographic surface unfolds through it´s proper border and plain conditions. When its borders dissolves into itself, replicating, pleating, waving, empty matter cancel its possibility of inner, closed space. Flows of traces that ends and ´surfaces` again, in an endless`wavelength`. Flows conditions of realities that differentiates the continuous plain ´illusion`of the same. notes: 1. ´From Over-to Sub -Exposure: The Anammesis of Les Immatériaux`, Tate Papers autumn 2009 c Antony Hudek 2. Conversation between curator Marcello Dantas and Anish Kapoor from ´Ascension`. Rio de Janeiro/ Brazil/ São Paulo 2006-2007
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