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Most Recent Comments

  • Re: Kate
    Posted on Friday 1 November, 2013 by Cesar Sosa.
    I really love the brilliance in the colors....
  • Re: Gnarled Wood
    Posted on Tuesday 29 October, 2013 by Constance Lowery.
    wonderful processing and such an interesting...
  • Re: September
    Posted on Tuesday 29 October, 2013 by Constance Lowery.
    this is super nice
  • Re: All Aboard
    Posted on Monday 28 October, 2013 by Rick Verbanec.
    really caught my eye while scanning the entries
  • Re: Ryan Engstrom Photography
    Posted on Friday 11 October, 2013 by Scott Wheeler,sr..
    I love this shot it looks like a painting....

Adriana Ricciardi
Photo By Adriana Ricciardi

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Photographer: Adriana Ricciardi

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  • Studio Name: Adriana Ricciardi
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  • Country: Brazil
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  • Nearest Town: São Paulo
  • Gear: Adriana Ricciardi
  • Description: Tracing the Surface Surfaces of inscriptions, of shallows depths, of ephemerals imprints. Matter as cumulative layers of surfaces. Inscriptions placed on surfaces over and over, trying to find in it´s exposure it´s meaning in the process of becoming visible`. The lost opacity of construction, where materials is reduced to nothing and the anamorphosed image´begins to drift, to float in an eletronic ether devoid of spatial limits yet inscribed in the singular temporality.`1 A performative gesture, an envelope. A process of designing through digital medium. ´I do not translate. I repeat processes again and again. Continually re-working is a process in fact of listening, re-iteranting. Repetition comes to be not just a repeating as the word says but also a kind of a mediation on a particular condition.`2 Layers of memory and narratives, not linear, but cumulative. Coding the performative with endless objectives. In accepting the chance event, open sequences find their ways out of a proposition. The unexpected occurs, like in nature. A digital process gets closer to the biological, live organisms, without predictability. ´Tracing the Surface` captions these moments of the unexpected event and it´s inner possibilities, to find in between states, a process of production. The photographic surface unfolds through it´s proper border and plain conditions. When its borders dissolves into itself, replicating, pleating, waving, empty matter cancel its possibility of inner, closed space. Flows of traces that ends and ´surfaces` again, in an endless`wavelength`. Flows conditions of realities that differentiates the continuous plain ´illusion`of the same. notes: 1. ´From Over-to Sub -Exposure: The Anammesis of Les Immatériaux`, Tate Papers autumn 2009 c Antony Hudek 2. Conversation between curator Marcello Dantas and Anish Kapoor from ´Ascension`. Rio de Janeiro/ Brazil/ São Paulo 2006-2007

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