Palette Gear and Wacom offer more refined and customizable controls than mice and trackpads
When it comes to post-processing workflows, one of the most common questions I get asked is, “What do you use to edit your photos?” Unsurprisingly, photo editing preferences can be quite personal and vary from photographer to photographer. The ideal setup for me may very well be cumbersome for you. Still, I love learning about the tools people use...
You’ve seen flicker from overhead lights when shooting video before… but do you know the science behind why it happens, and the math on how to avoid it?
If you shoot a lot of video, especially if you travel, you’ve probably seen it before. That weird flickering that you see on screen but not with the naked eye! You may even know how to fix it (choose the right shutter speed or shutter angle), but do you know the science behind why it happens and the math behind avoiding it? It’s a complex...
How to make the most out of photographing this celestial event
Sony a7R III | Sony FE 12-24mm f/4 G
15 sec. at f/4; ISO 1000
February 28, 2019
Photographing the aurora borealis is one of the most spectacular experiences that a landscape photographer can have. When the solar activity is strong and you have a clear, dark night sky, it requires little effort to see the dancing light. To make the most...
Fine-art photography shows aren’t just venues to see great photographs, but often you’ll also find the artists who create them
By Terry Sullivan
While roaming this year’s AIPAD Fine-Art Photography Show in New York, which runs through the end of today, I came across one of the great photographers working today, Stephen Wilkes, who is an artist that has captured many iconic images in his fine-art, editorial and commercial work.
Stephen Wilkes discussing a recent Day-to-Night image that the...
Shooting with a super-telephoto lens in challenging conditions
Sony a7R III | Sony FE 100-400mm f/4.5-5.6 GM OSS
1/100 sec. at f/11; ISO 100
February 07, 2019
Dolomites Region, Italy
Photographing the Dolomites region in the winter is both immensely challenging and rewarding. The natural inclination, especially during the spring and summer, is to use a wide-angle lens. However, in the winter, you’re generally...
Some of Lightroom’s most powerful, and hidden, tools available on the desktop are also available on iOS
If you’ve watched some of my recent videos or listened to me on the No Name Photo Show, you know my opinion on mobile photography. To sum it up, I’m a very big fan of it and believe that mobile photo workflows will keep getting better. In fact, all of the photos I’ve recently shared on Instagram were taken with my Sony Mirrorless cameras but edited...
I often find myself gravitating towards such minimalist compositions when looking for balance
Sony a7 III | Sony FE 16-35mm f/2.8 GM
30 sec. at f/9.0; ISO 100
February 13, 2019
What initially drew me to this scene was the sweeping line created by the stone platform in the foreground and how it draws the eye through the frame. However, it was the combination of the lone fisherman and the amount of negative space created by the...
I got my hands on a LUMIX S1R pre-production camera for a limited time, but long enough to show you every button and menu option — and shoot a very short film with it
There’s a ton of excitement around the soon to be released LUMIX S1 and S1R full-frame mirrorless cameras from Panasonic. As a LUMIX Ambassador, I was able to get my hands on an S1R and 50mm f/1.4 lens long enough to show you every button and menu option the camera has to offer!
I’ve also shot a short film and even did a LUMIX G vs. LUMIX...
Always look for all the angles as you define your composition
A while ago, I created an Album in Adobe Lightroom CC called “Ready to Share.” The purpose of this album is pretty obvious, right? Any time I finish editing a photo and feel that it’s ready for social media, I add it to this album. It’s what I did when I used to use Lightroom Classic and I follow the same process with Lightroom CC. This collection...
If you're willing to compromise, the new iPad Pro 11-inch is compelling for photographers who put a premium on traveling light
Earlier this month, I wrote about how photographers are able to carry more power and capacity with far less weight than ever before. That article was about how traveling with the new MacBook Air and mirrorless cameras isn’t a compromise. If you’re willing to compromise (a bit), the new iPad Pro 11 is compelling for photographers like me...