2021 has been a bright year when it comes to new lenses for professional photographers
By Dan Havlik
Optically speaking, 2021 has been a bright year when it comes to new lenses for professional photographers. Just as we’ve seen some impressive new pro camera bodies being released, lens manufacturers continue to grind out exciting new glass for photographers. The difference this year from years past is that the five new lenses we’ve chosen...
Event pro Jeff Cable picks his must-have equipment for shooting events
By Dan Havlik
Jeff Cable is a master of event photography whether he’s shooting a Bar Mitzvah or the Olympic games. A photographer for Team USA, he’s captured the last six Olympics in Beijing, Vancouver, London, Sochi, Rio de Janeiro, and PyeongChang.
Cable also covers events, including weddings, closer to home in the Saratoga, California-region where...
There’s no substitute for great glass. Here are noteworthy new lenses introduced this year, from wide to super-telephoto.
Despite what has been a challenging year for everyone around the globe, lens makers have managed to introduce some tremendous pro lenses—particularly for the growing ranks of full-frame mirrorless cameras. The following selection of new lenses for 2020 includes features such as fast apertures, impressive image stabilization and fantastically sharp,...
These new lenses can add creative adaptability to your system at an attractive price
By Theano Nikitas
Don’t let the term “budget lens” fool you. Affordability and quality aren’t necessarily mutually exclusive. In fact, there are plenty of lenses around or below a $1,000 price tag, yet they deliver when it comes to performance, features and image quality.
While major manufacturers’ legacy lenses have been well established for decades, available...
A roundup of what was new in lenses in 2019 and what to look forward to in the year ahead
Cameras get the headlines, but experienced photographers know it’s the quality of the lens that often makes or breaks a kit. That’s because lenses dictate everything from the sharpness of a photograph to the ability to shoot in low light at low ISOs with fast shutter speeds while handholding. In short, good glass will often make or break the shot.
With great new pro camera bodies hitting the market, it’s no surprise there were quite a number of intriguing professional lenses released in 2019
Whenever discussing a new lens, the tendency is to look at its focal length, or range, if it’s a zoom lens, and what its widest aperture is. You’ll often hear photographers discuss lenses in the following manner:
“What lens is that you’ve got on your camera?”
“Oh, it’s a 16-35mm.”
“Ahh, right. Is that the ƒ/4 or ƒ/2.8 version?”
A hands-on tests of five wide-angle zooms and primes
The Nikon NIKKOR Z 14-30mm f/4 S ultra-wide zoom lens (for its full-frame mirrorless camera system) provided very good edge-to-edge sharpness throughout the zoom range, from 14mm to 30mm. In this image, shot at the 30mm end of the zoom at ƒ/4.0, the lens provided a wonderful bokeh and blur behind the yellow rose in the foreground.
In our last issue,...
Sony’s short telephoto lens includes stunning optics and impressive technology
By Terry Sullivan
One of my test shots taken with the Sony FE 135mm F1.8 GM US telephoto lens. With its close focusing distance and wide aperture, the new Sony 135mm lens allows you to produce almost macro-type shots of subjects. Photo by Terry Sullivan.
In the past 12 months (from July 2018 to July 2019), there have been about twice as many pro camera introductions...
The Sony FE 400mm F2.8 GM OSS lens is remarkable on many levels. First, it’s smaller and lighter than any that have come before. It’s silent, fast and very accurate when paired with the Sony a9 camera. But to stop there would be a mistake. It’s the longest and fastest full-frame, super-telephoto lens designed specifically for mirrorless technology,...
Third-party lens for Sony shooters provides great value for the money
Text & Photography By David Schloss
With the release of Tamron’s new 28-75mm F/2.8 Di III RXD for the Sony full-frame mirrorless camera, the company joins a very limited group of manufacturers making native autofocus lenses for Sony’s FE mount. Effectively doubling the number of members by joining this club, Tamron joins Zeiss in developing full-function lenses specifically for the...