The Elinchrom BRX 500/500 two-light kit provides on-location lighting that’s on par with studio gear back home
By David Schloss
Location photographers often have to make compromises when it comes to lighting, opting to carry an unreasonable amount of lighting gear in order to achieve a look similar to studio lighting, or dramatically scale back the power and performance of the studio for weight and cost savings. The Elinchrom BRX 500/500 two-light to-go set aims to address those...
With a combination of light weight, portability and high power, monolights are serious tools for wedding photographers who need more than an on-camera flash
By The Editors
There are two basic types of studio flash: powerpack-and-heads systems and monolights. The former provides a lot of power and control, but is a bit unwieldy, and the cables connecting the lamp heads to the powerpack are just waiting to trip someone. Monolights are self-contained; the lamp head and the powerpack are built into a single unit. Like the...
In a still photography world, strobes were the gold standard of professional lighting gear.
By William Sawalich
Strobes & Flash
In a still photography world, strobes were the gold standard of professional lighting gear. Prized for their combination of power and performance and for their ability to freeze a subject for maximum apparent sharpness, strobes continue to be top-level tools for just about any photo situation.
Being a professional photographer...
Create precisely shaped shafts of light with these essential modifiers fitted to your source
Text And Photography By William Sawalich
With almost all types of studio lighting, precision is paramount. Whether it’s separating a portrait subject from the background or placing a tiny sliver of light on one element in a tabletop still-life setup, when it comes to placing light precisely, broad lighting just won’t cut it. Whether you’re working to eliminate spill or you...
Little differences between light modifiers make for big changes in the look of a light
Text And Photography By William Sawalich
Any discussion of soft lighting tools begins with two classic modifiers: the softbox and the umbrella. From each of these devices has sprung a world of variations—so many that it can be difficult to know why to choose one modifier over another. Soft is a relative term, after all, and the little differences between modifiers produce subtle, but important,...
As ideal lighting for studio or location photographers, monolights give you a great combination of power, control and portability
Today’s pros use two main types of light in the studio: electronic flash and continuous "hot" lights. Today’s pros use two main types of light in the studio: electronic flash and continuous "hot" lights. Each offers its own benefits and drawbacks. Hot lights are a topic for another article; this time we’ll look...
Get the most out of small strobes for big lighting effects when you need to work fast on location and don’t want to sacrifice an ounce of lighting control and quality
By William Sawalich, Photography By Corey Woodruff
I’ve had my share of 90-second portrait sessions with important people who are short on time, and the ability to set up refined three-point lighting in no time flat can be the difference between getting the shot and going home with nothing. Photographer Corey Woodruff, a small-strobe specialist, once drove seven hours round-trip to shoot for three...
Less is often more when it comes to crafting beautiful illumination
By William A. Sawalich, Photography By Martin Wonnacott And Scott Markewitz
I recently received a call from a commercial photographer who was to visit my city on assignment. Along with recommendations for assistants, digital techs and hairstylists, he also inquired about renting a basic lighting setup. "Only four or five packs," he said, "and maybe just eight or 10 heads." He would be bringing some more...
Light-emitting diodes (LEDs) are incredibly compact bulbs that consume very little power while throwing off absolutely minimal heat. Unlike traditional continuous lighting, this makes them efficiently designed fixtures particularly suitable for working in closed environments like photo studios. What’s more, the light produced by an LED bulb is...
Most professionals are well versed in lighting techniques for their particular subject matter.
By Lisette Rose
Most professionals are well versed in lighting techniques for their particular subject matter. Food photographers know how to light food. Jewelry photographers know how to light jewelry; wedding photographers know how to light brides. We’re presenting the following excerpt from Light: Science & Magic by Hunter, Biver and Fuqua (Focal Press) because...
Everyone is looking for a way to make his or her images stand out from the crowd.
By The Staff
Blair Bunting (featured in the November 2010 issue of DPP) is a master of lighting for HDR shots like this. Bunting’s HDR is frequently somewhat muted, and he uses the lights to create separation in the frame.
Everyone is looking for a way to make his or her images stand out from the crowd. Today, when the crowd is huge and websites are selling...
As professional photographers let go of their expensive studio spaces and make the world their studio, it’s time to examine the needs of a photographer on the go.
By Mark Edward Harris
As professional photographers let go of their expensive studio spaces and make the world their studio, it’s time to examine the needs of a photographer on the go. When studios were the norm, most pros had a space where they’d keep a number of power packs, stands, heads and all manner of modifiers. Today, we’re all working meaner and leaner, and...