The Elinchrom BRX 500/500 two-light kit provides on-location lighting that’s on par with studio gear back home
By David Schloss
Location photographers often have to make compromises when it comes to lighting, opting to carry an unreasonable amount of lighting gear in order to achieve a look similar to studio lighting, or dramatically scale back the power and performance of the studio for weight and cost savings. The Elinchrom BRX 500/500 two-light to-go set aims to address those...
With a combination of light weight, portability and high power, monolights are serious tools for wedding photographers who need more than an on-camera flash
By The Editors
There are two basic types of studio flash: powerpack-and-heads systems and monolights. The former provides a lot of power and control, but is a bit unwieldy, and the cables connecting the lamp heads to the powerpack are just waiting to trip someone. Monolights are self-contained; the lamp head and the powerpack are built into a single unit. Like the...
In a still photography world, strobes were the gold standard of professional lighting gear.
By William Sawalich
Strobes & Flash
In a still photography world, strobes were the gold standard of professional lighting gear. Prized for their combination of power and performance and for their ability to freeze a subject for maximum apparent sharpness, strobes continue to be top-level tools for just about any photo situation.
Being a professional photographer...
Create precisely shaped shafts of light with these essential modifiers fitted to your source
Text And Photography By William Sawalich
With almost all types of studio lighting, precision is paramount. Whether it’s separating a portrait subject from the background or placing a tiny sliver of light on one element in a tabletop still-life setup, when it comes to placing light precisely, broad lighting just won’t cut it. Whether you’re working to eliminate spill or you...
As ideal lighting for studio or location photographers, monolights give you a great combination of power, control and portability
Today’s pros use two main types of light in the studio: electronic flash and continuous "hot" lights. Today’s pros use two main types of light in the studio: electronic flash and continuous "hot" lights. Each offers its own benefits and drawbacks. Hot lights are a topic for another article; this time we’ll look...
Light-emitting diodes (LEDs) are incredibly compact bulbs that consume very little power while throwing off absolutely minimal heat. Unlike traditional continuous lighting, this makes them efficiently designed fixtures particularly suitable for working in closed environments like photo studios. What’s more, the light produced by an LED bulb is...
With DSLRs and video taking the photography and film worlds by storm, more and more photographers are looking to break into motion work.
By The Staff
With DSLRs and video taking the photography and film worlds by storm, more and more photographers are looking to break into motion work. With that in mind, some photographers who have been more accustomed to strobe lighting are finding that continuous lights for both still and video might be a better fit for their new workflow.
Strobe lighting has...
In a time when fewer pros have their own studio space, a compact lighting system can give you the options and versatility to get the job done anywhere
By The Staff
Myth: You Need Big Strobes
In an economic slowdown, photographers look to cut costs as much as possible. In many cases, this has meant eliminating the studio and a lot of the expensive gear that often sits around taking up space in said studio. Thankfully, eliminating the studio, and therefore studio lighting, doesn’t really mean that your lighting...