You’re buying a user experience with this camera, and it’s a precise German one
DL Byron
I’ll put the review this way, if you’ve ever been frustrated by a camera’s settings, the Leica is worth the price of admission. It’s a pleasure to use, and that’s the point. You’re buying a user experience, and it’s a precise German one.
Where it seems many cameras are released by manufacturers to fill slots in prices and specs, the TL2...
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This marvel of miniaturization features a 1-inch sensor, and combined with the speed of the Sony a9, you can easily fill an SD card and get your shot
DL Byron
It was just about a year ago that I reviewed the Sony RX10 Mark III for another publication. I was impressed then and even more impressed now. That’s because this update adds the a9 image processing to a compact body already chock full of Sony’s tech.
If you consider the camera for more than the specs and where it sits in the marketplace, it’s...
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Sony rounds out its Holy Trinity with one heck of a lens
David Schloss
Kendo practice, Japan
Regardless of their specialty or their preferred camera brand, the modern professional photographer tends to have three key zoom lenses in their arsenal: a 16-35mm, a 24-70mm and a 70-200mm, or their equivalent in whatever sensor size a photographer shoots with. These staple lenses, usually with a wide aperture of ƒ/2.8, offer...
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Collapsible, portable and durable, this carbon-fiber tripod is ready to take on video projects—anywhere in the world
David Schloss
Video tripods have never been known to be particularly light or particularly portable due to their need to provide stability for heavy, delicate camera equipment. Big beefy legs, a large center column and a heavy video head are the hallmarks of most models. This poses a bit of a problem for the traveling videographer, the person who’s looking to take...
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This new compact, affordable tele-zoom performs way out of its league
David Schloss
The Blue Angels overhead at the New York Air Show. The speed of the Sigma 100-400mm F5-6.3 DG OS HSM | Contemporary allowed the lens to keep pace with everything the airshow could throw at it, from propeller crop dusters to a P-51 Mustang to the acrobatic Blue Angels to the blazingly fast F-35.
The Sigma 100-400mm F5-6.3 DG OS HSM | C lens is a product...
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Now that iOS supports RAW, Canon’s app is even better
DL Byron
If you’re a photographer uploading photos to Instagram and trying to do so efficiently, you’ve probably already figured out not all apps are the same.
Sure, they all perform the same functions, but some are better at it than others. An app’s usability comes down to the company’s resources and developers also keenly listening to their users.
As...
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A high-quality, versatile support that can stand up against the competition, literally
David Schloss
For the run-and-gun videographer, there’s little more annoying than having to unfold and extend the legs of a tripod just to get a quick shot. Many pros turn to monopods when they’re shooting light and fast, but the limitations of many monopods leave camera operators struggling to balance the gear and take a smooth pan.
Manfrotto’s XPRO aluminum...
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New large-format devices from Epson and Canon bring higher-quality output to the studio
DPP
Canon imagePROGRAF PRO-2000
Epson and Canon, the two leaders in the photographic printer market, both updated their printer offerings recently, delivering devices that provide better print quality, faster speeds and higher resolution at prices comparable to the companies’ previous offerings. While the top-end pro market has been on-and-off again largely...
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Use the versatile Changer-20 shoulder bag to ride into work, then attend meetings and carry around town all day
DL Byron
The Manfrotto Manhattan Changer-20 three-way camera bag is a surprisingly well-designed shoulder bag from the Italian manufacturer’s lifestyle line—it surprised me because the understated design doesn’t indicate how functional the bag is. Compared to the leather “fancy bag” I shared last month, this is a carry-on for a short trip, a run-and-gun...
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We shoot with the Cooke miniS4/i 32mm T2.8-22 on a Sony a7S II, and the results are amazing
DL Byron
Have you ever wondered what a one-off cinema lens from a legendary manufacturer looks like attached to a Sony a7S II?
After visiting the Cooke Optics factory, we did, so we tried one out.
The results were lovely and left us at times amazed by the dimensionality, smooth rendering and quality. A Cooke lens of this type, the miniS4/i 32mm T2.8-22, is normally...
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