From interviews with pros who share their techniques to software solutions to printing, these guides explore a variety of ways to work with monochrome photography
By The Editors Of Digital Photo Pro Magazine
From interviews with pros who share their techniques to software and lighting solutions to printers, these guides explore a variety of ways to work with monochrome photography.
1. Julia Dean: Finding The Lost Angels
The photography legend turns her eyes on Los Angeles, a city—and people—in transition, revealing a vibrant street life in black-and-white....
Athletes don’t always have to be photographed outside. Bring the action in the studio for an energetic portrait session.
Text & Photography By William Sawalich
When assigned to capture a portrait of an athlete, the most obvious photographic solution is to photograph them on the field (court, track, etc.), but various restrictions and challenges might not make that practical, and often these environmental portraits aren’t what the client is looking for. A “traditional” portrait session is naturally a...
With an understanding of these go-to lighting techniques, you can easily light any scene with dramatic results
The Editors Of Digital Photo Pro Magazine
Grasping good lighting is a lot like understanding the relationship between aperture and shutter speed—it’s confusing up until the moment it clicks, and then every photograph becomes a variation on that idea. These photographic lighting articles present go-to techniques, with some gear recommendations, that are the foundation on which all other...
With these simple lighting techniques, it's possible to master any scene with confidence
The Editors of Digital Photo Pro
The art of portrait lighting is the art of bringing out the essence of an individual—identifying the person’s personality and facial features, and coming up with a lighting scheme that will synchronize with them. Many photographers fall into the habit of using a stock setup for all of their work without consideration of the person they’re...
All you have to do to make movies is push a different button. How hard can it be?
Chris X Carroll
Photo by Chris X Carroll
It was the perfect opportunity—shooting a cover and an ad campaign for a novel, where the client asked if we could “shoot a little video” to make a trailer. I had a brand-spanking-new Canon EOS 5D Mark II, but had yet to press the Big Button that activated the video function.
I had been shooting digital stills for some...
Turn the worst light into the best shoot with these simple techniques
Text & Photography By Tom Bol
To create this portrait in Cuba, the subject was placed in covered shade and photographed using one SB-5000 shot through a small softbox. Nikon D810, AF-S NIKKOR 50mm F1.8G, 1/800 sec., ƒ/1.8, ISO 32. Photo by Tom Bol
Photographers have one thing in common. We’ve all gotten up early, really early, to photograph the sweet rays of warm sunshine at...
One of our contributors is based in the Midwest, where he witnessed 100% totality. Here’s how he captured this image of the eclipse.
DPP / Photo By William Sawalich
Whether you were able to photograph it, watch a live stream of it or catch it in person, the Great American Eclipse was a breathtaking event. The coast-to-coast total solar eclipse began in Oregon at 10:15 a.m. PST, traveling across the country to coastal Charleston, S.C. at 2:49 EST.
Contributor Editor William Sawalich, who’s based in St. Louis,...
As photographers and filmmakers, most everything we try to achieve visually with lighting, a camera and storytelling through composition goes back to the Masters
“The Supper at Emmaus” by Caravaggio. The lighting is a wonderful example of chiaroscuro, translated from Italian meaning literally “light-dark,” but for those of us who create images, both filmmakers and photographers, this is a common method we use to create contrast, mood and, most significantly, depth and dimension.
I recently visited a...
Radio waves and light beams can make the difference between getting the shot or not
Like many photographers, I worked for a time as an assistant in a studio, where one of my most important tasks was to follow behind (or in front of or beside) the photographer and make sure they didn’t trip over their PC cable, thereby unplugging the lights while simultaneously falling unceremoniously on their face.
A remnant of the same era where...
Try these creative adjustments using Photoshop, Lightroom and third-party software programs for striking black-and-white images
Text & Photography By Tom Bol
Ballet dancer in Cuba.
Photography began with black-and-white images and the darkroom process, where images came to life. Today, photographers have many more choices. Some photographers still shoot black-and-white film and develop in the wet darkroom. But for most photographers, we capture in digital color and decide later if we want to convert to black-and-white....
A vintage Cooke Optics lens
Cooke Optics has been making lenses for 130 years, and their coatings haven’t changed much since the ’60s—that’s what contributes to the Cooke Look cinematographers want on their digital bodies, like RED and ARRI.
The coatings are like pixie dust and seen here (decades of them built up) on a flange. The flange holds...
Manufacturers are responding to ever more capable cameras with cinema lenses, and Byron tries out two of them
“The Initial Mystery that attends any journey is: how did the traveler reach his starting point in the first place?” — Louise Bogan
For this journey I’m on in London, it’s an initial mystery of shooting with cine lenses, but let’s back up to the starting point. If you’ve never heard of a cine lens, that’s shorthand for cinema, and what’s...