Photography Workflow

September 1, 2010

The End Of Film Capture, The Future Of Film Archives

Frans Lanting had a large archive of film images when he made the transition to digital capture.

By William Sawalich, Photography By Frans Lanting
When Frans Lanting first clicked his shutter on assignment in the late 1970s, he began a prolific photographic journey that would take him around the world for more than 25 years creating hundreds of thousands of images—all on film. From black-and-white to Kodachrome, Lanting’s medium of choice—like every other serious photographer—was film.... Read more
September 1, 2010

Master Your Image Library

Working on location, travel and generally being mobile require you to rethink how you can best manage your image library for maximum access

Text And Photography By George Jardine
To merge, or not to merge. That is the question. Imagine a time in the not-so-distant future when you truly have just one window into your entire digital photo library. This means, no matter where you are, and no matter what sort of device you’re using, you’ll be able to easily access any photograph you’ve taken since the dawn of digital (admittedly,... Read more
March 1, 2010

Managing Your Photographic Legacy: Part 2

Taking a long-term perspective on creating your digital archive

Text & Photography By George Jardine
In all the years I was traveling and giving talks to photo groups on Adobe products and end-to-end digital workflows, the number of photographers I met who had truly developed a rational system for managing their digital library was very small. In retrospect, this isn’t all that surprising, given the sea change photographers were experiencing trying... Read more
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November 1, 2008

DPP Solutions: Image Optimization For The Web, Part I

How to evaluate and quickly set up your images for web usage

By Jim Goldstein
First impressions can make or break a photographer. Prospective clients and photo buyers alike who surf the web for interesting photographic work can and will pass judgment on you, for good or bad, in a matter of seconds. While many photographers become absorbed by web design, others look past the essential skill of optimizing images for web-based viewing.... Read more
September 1, 2008

Pro Tips: Monitor Calibration

Without color calibration, you might as well be working in the dark

By Staff
I’m a photographer with a deep, dark secret: I’m color-blind. For those of you without this particular affliction, allow me to clarify something. It doesn’t mean that I see the world in black-and-white; it just means that I see things a little bit differently. I see colors, and as far as I know, I see all the colors that anybody else does. But... Read more