The conventional wisdom says set 300 dpi and forget it, but it turns out that there’s more to optimizing image resolution for fine-art printing
Text And Photography By Jeff Schewe
There seems to be some confusion in the industry about how to prepare and optimize image resolution for fine-art printing from modern high-end inkjet printers. Some people say you can’t really see any difference between prints made at higher or lower output resolutions. Well, I can.
Contrary to what some people may say, size really does matter...
Frans Lanting had a large archive of film images when he made the transition to digital capture.
By William Sawalich, Photography By Frans Lanting
When Frans Lanting first clicked his shutter on assignment in the late 1970s, he began a prolific photographic journey that would take him around the world for more than 25 years creating hundreds of thousands of images—all on film. From black-and-white to Kodachrome, Lanting’s medium of choice—like every other serious photographer—was film....
Working on location, travel and generally being mobile require you to rethink how you can best manage your image library for maximum access
Text And Photography By George Jardine
To merge, or not to merge. That is the question. Imagine a time in the not-so-distant future when you truly have just one window into your entire digital photo library. This means, no matter where you are, and no matter what sort of device you’re using, you’ll be able to easily access any photograph you’ve taken since the dawn of digital (admittedly,...
Taking a long-term perspective on creating your digital archive
Text & Photography By George Jardine
In all the years I was traveling and giving talks to photo groups on Adobe products and end-to-end digital workflows, the number of photographers I met who had truly developed a rational system for managing their digital library was very small. In retrospect, this isn’t all that surprising, given the sea change photographers were experiencing trying...
How to evaluate and quickly set up your images for web usage
By Jim Goldstein
First impressions can make or break a photographer. Prospective clients and photo buyers alike who surf the web for interesting photographic work can and will pass judgment on you, for good or bad, in a matter of seconds. While many photographers become absorbed by web design, others look past the essential skill of optimizing images for web-based viewing....
Without color calibration, you might as well be working in the dark
I’m a photographer with a deep, dark secret: I’m color-blind. For those of you without this particular affliction, allow me to clarify something. It doesn’t mean that I see the world in black-and-white; it just means that I see things a little bit differently. I see colors, and as far as I know, I see all the colors that anybody else does. But...