Digital Photography Software & Techniques

June 15, 2016

Going Retro: Antiquing In The Digital Darkroom

Take your portraiture down Memory Lane with some easy and versatile after-capture techniques

Text and Photographs By Jim Cornfield

Oliver “Pork Chop” Anderson was an impromptu tap dancer on New Orleans street corners for many years. I photographed him on Polaroid 55 P/N film for a gallery exhibit themed around characters in the picturesque French Quarter during Mardi Gras. To connect Pork Chop to his folksy style of entertainment and also to the historic neighborhood where... Read more

January 18, 2016

The Art Of Seeing Details

Legendary photorealistic illustrator Bert Monroy knows how to pay attention to the little things, a skill all photographers should develop

By Mark Edward Harris, Paintings By Bert Monroy

It’s not often that we profile an illustrator in Digital Photo Pro, but Bert Monroy isn’t your average artist. He’s part painter, part retoucher, and as far as we can tell, part camera. Monroy’s complex, intricate work includes a level of detail that seems impossible for a human to appreciate, let alone duplicate. For decades, Monroy has not... Read more

September 3, 2015

How To Capture Picture from Video

Thanks to the resolution of 4K video, photographers can shoot motion and pull out client-worthy still images

By David Schloss

The moving images we see when we watch videos and movies are really just an optical illusion, a trick played by our brain when it’s shown a certain number of images in a short enough time. At about 30 images per second, the motion caused by this stream of still images becomes indistinguishable from the motion we perceive from actual moving objects.... Read more

April 16, 2015

Convert Photos to Black & White

Instead of always taking a one-click solution, learn how to take control over the subtle tones to create richer, more nuanced black-and-white images

Text & Photography By Ming Thein

There’s no denying the classical appeal of black-and-white photography. Whilst a certain style of color, for example, Kodachrome of the ’80s, or the pale washed-out negatives of the ’60s and ’70s, or Velvia of the ’90s, evokes the nostalgia of a certain period in time, the very lack of color has the completely opposite... Read more

August 5, 2013

DPP Solutions: New Features In Lightroom 5

The latest version of Adobe’s workhorse software has some particularly useful tools

By Staff

2013 has been a big year for Adobe. Their biggest announcement, of course, was the change in licensing of their software to a pay-as-you-go subscription model facilitated through their Creative Cloud service. Around the same time as the Creative Cloud announcement, and almost lost in the din of controversy that it generated, was the Lightroom 5 Public... Read more

June 2, 2013

Animate your Stills

The latest trend for photos online is making parts of them move. We’ll show you how to do it

By The Editors

Cinemagraphs are in. If you haven’t heard the term, a cinemagraph is a still photo that has some part of it animated. These images are meant for web display, and they’re a great example of how digital means for displaying images are bringing new aesthetics and possibilities. A cinemagraph is different from a video clip in that only a portion... Read more

May 1, 2013

Heresy In Library Organization

Keep track of an ever-expanding digital archive by getting things right from the start

Text And Photography By George Jardine

Scanning the horizon, there are so-called workflow tutorials everywhere you look. Each and every one of them is promoted under the guise that it will help you become "fast and efficient." But what fast and efficient really means for most of the gurus out there is automating everything, and trying to do all 10 steps (or whatever) of the workflow... Read more

January 2, 2013

Highlights And Shadows in Your Photography: Take More Control

Use new controls in Lightroom 4 and Adobe Camera Raw 7 to fine-tune the yin and yang of highlights and shadows

By George Jardine

Just when you’re becoming comfortable with image controls in your editor of choice, an update comes along and changes everything, so I sympathize that it sometimes feels like you’re aiming at a moving target. But no matter what image processor you’re using, I always try to urge photographers to think of “image correction”... Read more

September 2, 2011

The Raw File Shuffle

How to keep organized and sane when you’re working and reworking your RAW files.

Text And Photography By George Jardine

Adobe Photoshop has been around for 21 years now. Given that, I think it’s safe to say that we’re finally dealing with an adult. For the better part of that 21 years, Photoshop was the place where you went to work on, to crop, to color-correct or to manipulate, more or less, one image at a time. In the process, Photoshop became synonymous... Read more

August 12, 2011

DPP Solutions: Get Connected

A quick guide to the interfaces for video and audio that you’ll encounter as you get into working with motion

By Mel Lambert

Connecting a DSLR to a peripheral used to be simple. You had a USB cable, a card reader—maybe USB or FireWire—and you were done. Images could move from camera to computer fast and easy. Times have changed, and now DSLRs can connect to TVs, projectors, computers and other devices. You’re shooting stills and HD video, and you may be recording sound... Read more

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